PLONK Reading Series f. VoiceCatcher, Wednesday October 5

All are invited to hear these contributors to VoiceCatcher: a journal of women’s voices & visions. 

Plonk Reading Series

PLONK Reading Series

Wednesday October 5, 2016
7:00p.m.

Cork Screw Wine Bar
1665 SE Bybee Blvd.
Portland, OR 97202

 

Alex Behr, of Portland, OR, has taught creative writing to teens through Literary Arts’ Writers in the Schools program. Her work has appeared in Nailed Magazine, Salon, Bitch, Tin House, Propeller, Lumina, Watershed Review, and elsewhere. Two of her stories were performed in July 2016 as part of the 5th Annual Northern Writes series in Los Angeles.

Cathy Cain‘s honors include the Kay Snow Paulann Petersen Poetry Award from Willamette Writers; the Edwin Markham Prize for Poetry from Reed Magazine; and awards from the Oregon Poetry Association. Her work has appeared in VoiceCatcher, The Poeming Pigeon, and is forthcoming in Verseweavers. Cathy has previously served as poetry co-editor at VoiceCatcher. She is a two-year Poet’s Studio alumna and a 2014-2015 Atheneum Fellow, both at the Attic Institute. Additionally, she has studied with Portland’s Mountain Writers.

Deborah Dombrowski is a writer and photographer who discovered Portland at the age of 22 and stayed. Deborah loves every form of water (except the endless winter rain) and can often be found next to a river, or at the foot of Neakhanie mountain. Her website brings words and images together to consider the passage of time, the surprising strength of our affections, and every kind of blossoming. (www.lightswim.blogspot.com)

Leanne Grabel, M.Ed., is a poet, memoirist, illustrator and semi-retired special ed and language arts teacher. Her books include Brontosaurus: A Memoir; Lonesome & Very Quarrelsome Heroes; Short Poems by a Short Poet; Badgirls, and most recently Assisted Living, a chapbook of graphic rectangular prose poems. Grabel is currently finishing an anthology of 30 years of graphic flash writing called The Circus of Anguish & Mirth.

As seen adjusting her undergarments in public, writer,humorist, nut-job, Carisa Miller, lives in SW Portland with her exceptionally patient husband, two fireball daughters, an ill-tempered cat, a dog she’s allergic to, and horrendous PMS. Her published essays, one-liners, blog, and social media gobbledygook can be found at CarisaMiller.com.

Elizabeth Scott is a writer and clinical psychologist who has lived in Portland for nearly 30 years. She studied with Tom Spanbauer for many years as well as with other accomplished local and national writers. She has had numerous stories published in literary journals and recently received honorable mention in a Glimmer Train contest. She served two terms on the board of Oregon Literary Arts.

Suzanne Sigafoos is author of Held in the Weave, a collection of poems published by Finishing Line Press. Her poems have appeared in The Oregonian, in Windfall: a Journal of Poetry of Place, and the anthology The Knotted Bond: Oregon Poets Speak of Their Sisters. Her lyric essay, “Green,” published in Bellingham Review’s Issue 71, has been nominated for a Pushcart Prize. Sigafoos is co-founder of River Rock, a poetry critique group in Portland, Oregon, her home since 1999.

VoiceCatcher thanks PLONK Reading Series and Cork Screw Wine Bar for hosting this event.

It’s Here! Check out our Summer 2016 Journal

We are pleased to announce the release of the Summer 2016 issue of VoiceCatcher: a journal of women’s voices & visions. In this, our ninth issue of our online journal, you’ll discover:

  • A sampling of poetry from the powerful female creative force thriving in our region.
  • Fiction and nonfiction from six women who dazzle us with both their honesty and humor.
  • Stunning imagery from four artists who use layering and process as metaphors for life beyond art.
Featured Artwork "Beyond Sea' by Jeni Lee

Featured Artwork “Beyond Sea’ by Jeni Lee

Many thanks to our hard-working editorial team: Managing editors Michelle Fredette and Jennifer Kemnitz, art editor Sarah Fagan; prose editors Desiree Wright, Nikki Schulak and Tanya Jarvik; poetry editors Juleen Johnson, Sarah Brenner and Emily Ransdell; and journal designer Shawn Aveningo.

We are excited about the authors and artists represented in these pages and hope you will come out to meet them in person by attending a VoiceCatcher event in the future.

Happy reading!

 

 

We’re Extending the Submission Deadline!

Let’s face it!  As women, we lead busy lives.  And sometimes that means we put other’s needs before our own desires — like sitting down to focus on our own writing.  We get it! We’ve all been there.  That’s why we decided to extend the deadline for submissions to our upcoming Summer issue of VoiceCatcher:  a journal of women’s voices and visions.

Ladies, you have until Sunday, May 22 to submit up to three poems, one prose piece or artwork for consideration.  You can click HERE for all the details.

Happy writing!  We can’t wait to read your work.

VoiceCatcherFacebookCoverWithSummer2015Artwork

Peregrine Literary Series f. VoiceCatcher, Sunday May 15

All are invited to hear these contributors to VoiceCatcher: a journal of women’s voices & visions. 

May Peregrine flyer

Peregrine Literary Series

Sunday, May 15, 2016
3:00p.m.
Holynames Heritage Center
17425 Holy Names Drive
Lake Oswego, OR 97034

 

 

erin iwata photoErin Iwata calls Ridgefield, Washington her little home on the prairie, where she is a doula, writer, mother to men, and teacher on hiatus. She loves how writing connects us and thrives on the bright edges of human experience. ​ Erin is active in the literary community of the Pacific NorthWest. Her work recently appeared on 33 public buses, local literary magazines, newspapers, and featured at Show and Tell Gallery Assembly.  You can find where Erin will next appear by following her website www.eriniwata.com

 

joan maiers photo

 

Joan Maiers, works with writers of all ages, and serves on the boards for Friends of William Stafford, and the Clackamas Cultural Coalition. She hosts the Peregrine Literary Series. Her work appears in numerous journals, anthologies and collections. She is preparing her poetry manuscript, Specific Gravity, for publication.

 

 

stacy vallas photo

 

Stacey Vallas holds a Ph.D. in English and has taught at Reed College and Portland State University. She has published essays in Arizona Quarterly and The Oregonian and is currently a member of the Poets Studio at the Attic Institute. She lives and works as a teacher and tutor in Portland.

 

 

VoiceCatcher thanks Peregrine Literary Series and Holynames Heritage Center for hosting this event.

VoiceCatcher is open for submissions until May 15

VoiceCatcher is seeking submissions of fiction, nonfiction, poetry and art for our summer 2016 issue. Visit the journal site for full submission guidelines, and read the most recent issue to get a sense of what we look for. Below, meet the editorial team that will be working on the upcoming issue!

The Summer 2016 Issue Editorial Team

Sara-Bednark

Young Voices editor Sara Bednark has been writing off and on since a hastily written play she wrote in 9th grade received these words of encouragement, “How wonderfully absurd!” For twenty-five years writing has confounded, delighted and been her connection to voice. Sara has written and self-published two picture books; owned, edited and wrote for a tabloid newspaper; and is currently working on a middle grade novel. Her pieces can be read in Elohi Gadugii Journal and Typehouse Literary Magazine.

 

Sarah-Brenner

Poetry editor Sarah Brenner writes poetry and hybrid essays in and around Portland, Ore., while battling a crippling book addiction. A graduate of Bennington College, she has studied with April Bernard, Mark Wunderlich and Peter Sears. Her day job allows her to promote and facilitate community arts programs, and in her spare time she obsessively follows her favorite podcasts and makes friends with other animals.

SarahFaganReturning art editor Sarah Fagan received a bachelor’s in Fine Arts and English Literature from Stonehill College in North Easton, Massachusetts. She worked as an editor for a New England arts magazine before relocating to Portland, Oregon in 2009. Here she decided to concentrate on making her own artwork by attending a certificate program at the Oregon College of Art and Craft where she studied bookbinding and painting. In Portland, Sarah developed a curriculum of arts classes that she taught to children at schools, libraries and other venues. When not teaching, she is painting – her forté is the contemporary still life. For 2015-16, Sarah will be the Umbrella Institute’s Artist-in-Residence in Concord, Mass.

Michelle-updated

Managing editor Michelle Fredette has served as a past prose editor with VoiceCatcher and is a current member of the board of directors. She fell in love with literary journals during high school, sitting on the floor of her mom’s cube at Writer’s Digest. Since then, she’s been able to indulge this love as a reader for Ploughshares and Black Warrior Review, and as fiction editor for Oxford Magazine and New Orleans Review. Her writing includes short stories and the occasional non-fiction piece. She’s currently chipping away at a novel about roller derby.

Tanya-Jarvik

Prose editor Tanya Jarvik has worked as a freelance editor for the past fifteen years. She has also taught composition, poetry, fiction, and memoir writing. Tanya’s poetry and prose have appeared in VoiceCatcher, The Manifest-Station, The Open Face Sandwich, the Enter at Your Own Risk anthology series and elsewhere. One of her favorite gigs is writing a pseudonymous advice column for people in alternative relationships

 

Juleen-Johnson-croppedforweb

Poetry editor Juleen Johnson is a co-founder of Soundings: An Evening of Word and Sound. Johnson has been invited to read at: BuzzPoems, Ink Noise Review, Open Door Enjambment, Penduline Poetry Series and Word Warriors. She won first place in the Voices Poetics Poetry Contest. Her poems have been published in printed publications, including Cirque: A Literary Journal, Nervous Breakdown, The Rio Grande Review, Rust and Moth, The Round and other journals. Johnson currently writes and creates art in Portland, Ore.

 

VoicecatcherAssistant managing editor Jennifer Kemnitz is an herbalist-poet who lives and writes in Portland. Her work has most recently appeared in Rain, the Kerf, Medical Literary Messenger, and We’Moon and has been anthologized by Poetry on the Lake, The Poetry Box and VoiceCatcher. Jennifer’s poetry has been nominated for a Pushcart Prize and translated into German.

Emily-Ransdell

 

Poetry editor Emily Ransdell holds an MFA in Poetry from the University of Montana.  Her poems have appeared in The Cortland Review, Tar River Poetry, Whitefish Review, Hamilton Stone Review0 and elsewhere. Emily divides her time between Camas, Wash. and the North Oregon Coast, where she is a coordinator of the Manzanita Writers’ Series annual PoetryFest.

 

 

_NewHat

First appearing in the Summer 2014 issue of VoiceCatcher, journal designer and administrator Shawn Aveningo Sanders is an award-winning, globally published poet whose work has appeared in over 90 literary journals and anthologies, including LA’s poeticdiversity – which recently nominated her poetry for a Pushcart Prize. She is co-founder of The Poetry Box® and managing editor of The Poeming Pigeon. Shawn is a proud mother of three who shares in the creative life with her husband in Beaverton, Oregon.

Nikki-Schulak-VC

 

Prose editor Nikki Schulak writes and performs comedy about bodies and relationships. Her work has been published in numerous journals and websites, most recently at Full Grown People. She had essays included in VoiceCatcher 3 and VoiceCatcher 5 and served as an assistant prose co-editor for Voice Catcher 6. Her essay “On Not Seeing Whales” (Bellevue Literary Review) was chosen as a Notable Selection in Best American Essays 2013. Her most recent tattoo is an ampersand.

Desiree-Wright

Prose editor Desiree Wright started writing at age 6: handmade books of horse names, rhyming poetry and short stories. She paused her storytelling to entertain locals in Tonga with her bad accent and refusal to do karaoke. She is mother to two super-cool humans, two dogs, a flock of chickens and one naughty cat. She never finished her graduate degree and has no regrets. She recently renewed her vow to say “I am a writer” without any explanation.

 

Healthy Mind, Healthy Spirit – Limitless Possibilities

The Five-Minute Experiment
by Kari Pederson

This time of year makes me feel tired. Perhaps my circadian rhythms are adjusting to less daylight or my body is preparing for cold weather hibernation. Or maybe I feel weary because of a seemingly endless to-do list. For many of us, late autumn can be a hectic season. Nonetheless, my tempo has shifted, and my body and spirit definitely want to move more slowly.

As I was attempting another internal pep talk to feel energized, two intriguing questions popped out of my subconscious. Why not embrace this new rhythm and allow myself to slow down? And, how could I use this slower pace to my advantage?

The practice of mindfulness has been around for eons and is often considered a type of meditation. Instead of traditional meditation where you try to quiet your mind, the goal of mindfulness is to put your complete focus on whatever is happening in the present moment. Think of it as immersing yourself in a situation and getting everything you can out of the experience. Pay close attention to anything you see, hear, smell, taste, touch, feel – experience. If your focus wanders, gently bring your awareness back to the present moment.

Mindfulness has been linked to improvements in health, working memory, creativity, cognitive flexibility, insight and productivity. My inner writer and artist could sure use more of those enhancements! However, my biggest perk from experimenting with mindfulness has been how much more I enjoy previously mundane activities. My daily walk to the streetcar stop has transformed from a chore into a satisfying journey.

I ignored the potential benefits of mindfulness for a long time because I feared the process might be complicated or time-consuming. In reality, I have discovered endless opportunities to practice mindfulness and just five minutes is enough to reap positive benefits. Every moment in your day is right for mindfulness, including ordinary experiences or special events.

For those of you who already have a full schedule, I am not suggesting you quit your job, stop parenting, or throw your responsibilities out the window. Although right now, three weeks in the French Riviera sounds pretty good to me. I am suggesting you take five minutes every day to practice mindfulness, whenever or wherever it feels good to you.

Let your creativity go wild and design your own mindfulness moments, or try some of the options listed below. Remember you cannot do this practice incorrectly, and your goal is simply to focus on the present moment as much as you can.

Need help getting started? Practice mindfulness by doing any of these activities:

  • Color a page of an adult coloring book with colored pencils.
  • Ask a friend to share a favorite story and listen more than you talk.
  • Nibble on your favorite mini-candy bar for at least five minutes.
  • Play music that makes you tap your toes or sway with the beat.
  • Make the perfect cup of coffee or tea and pay attention to every sip.
  • Cuddle with a loved one or a furry friend. Repeat often.
  • Browse at Powell’s Books, Blick Art Materials, or another favorite store.
  • Watch the last few minutes of a sunset or sunrise.
  • Use sidewalk chalk to create a masterpiece in an unexpected place.
  • Pick your clothing or accessories with care.
  • Explore new products at the grocery store. Bring one home.
  • Build a creation out of Legos, paper clips or coins.
  • Smile at the next ten people who make eye contact.
  • Walk a labyrinth or a favorite trail. Walk slowly.
  • Take a little extra time with a hot bath or shower.
  • Count the raindrops you can hear or feel.
  • Repeat a tongue twister to yourself or practice an impression.
  • Stand up and stretch. Feel each muscle expand or contract.
  • Chop veggies or mix up a cake by hand.
  • Thank someone for his or her help or inspiration.

In addition to all the benefits already touched on, mindfulness is effective and efficient self-care. Artists give a lot of themselves by creating their art and sharing it with others. Sometimes we need to recharge our physical and emotional batteries. Mindfulness gives us a great excuse to focus on ourselves for a few minutes and enjoy whatever task is at hand.

** If anyone is willing to post a reply to this article, we would love to hear about the results of your mindfulness experiment.

Kari Pederson Age 6

Kari Pederson
Age 6

Kari Pederson, MSW, LCSW, is a writer, clinical social worker and wellness coach who has worked with children and adults for over 25 years. An avid student of positive psychology, she loves helping people live their best lives. Kari is a new writer to VoiceCatcher’s community website and thrilled to be part of its mission. This is the ninth installment in her series, Healthy Spirit – Limitless Possibilities.

 

A Woman’s Poet: Kristin Roedell

Kristin Roedell

Kristin Roedell

This Thursday, Nov. 12, 2015, VoiceCatcher Kristin Roedell is the featured reader at the Ghost Town Poetry Open Mic, held at the Angst Gallery, 1015 Main Street, Vancouver, WA 98660, 7:00 p.m. Meanwhile, fellow VoiceCatcher Tammy Robacker caught up with Kristin last month to talk about her newly released collection of poetry, Downriver; her creative writing process; and what is on her horizon.

Kristin Roedell graduated from Whitman College with a bachelor’s in English in 1984, and from the University of Washington Law School in 1987. She practiced family law for 13 years in the Pacific Northwest. Her poetry has been published in more than 50 journals and books since 2009, including The Journal of the American Medical Association, Switched on Gutenberg, Ginosko, CHEST, Tacoma City Arts, Soundings Review, Santa Fe Literary Review, and Sierra Nevada Review. She is the author of a chapbook (Girls with Gardenias, 2012, Flutter Press), and a full-length poetry collection (Downriver, Aldrich Press, 2015.) She has been nominated for Best of the Web and the Pushcart Prize, was the 2013 winner of NISA’s 11th Annual Brainstorm Poetry Contest, and was a finalist in the Crab Creek Review Poetry Contest. She lives in Lakewood, Washington with her husband and daughter, and she enjoys traveling overseas.

Tammy Robacker

Tammy Robacker

Tammy Robacker: In Downriver, you write a lot about family – your mother and daughters, in particular. Why do they feature so prominently in the poems?

Kirstin Roedell: I’ve been called a “woman’s poet,” and although I do try to write poems that relate to the human experience as a whole, my poems come from a very deep, female place. I write my poems in the quiet, when I am alone, and I write to process the past. One day a friend of mine suggested that I share my story. I sent out some of my work, and found that it speaks to other women. I learned that a simple but powerful commonality exists between mothers and daughters, and that we are a community. It takes courage to love, and that courage can arise from the knowledge that we are not alone.

TR: Many of the poems in Downriver incorporate the natural realm as your metaphor to speak about life, loss or courage. Why is that?

KR: As a child I spent a great deal of time reading; I took my books outdoors, where a peace existed that was not present in my home. I found comfort in the natural rhythms around us; at heart our experiences are not so unusual. They echo the simplicity of our surroundings. It comforts me to think that nothing is so new that it does not resonate and reverberate with the natural realm.

TR: As a VoiceCatcher poet, how does sense of place and the geography of Washington and Oregon figure into your poetry?

KR: I live in the Northwest, and believe that the place where we are born creates a lasting connection. I feel a kinship with the Northwest tides and shores. The animals here speak to me, the whales and seals and shellfish. I love the sound of the gulls and the salt spray that exists only here, in this green place we call home.

TR: Would you tell us about your personal poetry-writing process?

KR: I write in the silence, wherever I can find it. Sometimes this is late at night while my husband and daughter are asleep, and often it is when they are both out, busy with their own pursuits.

TR: What is next on the horizon for you and your poetry? Are there any new book ideas in the hopper for you?

KR: Right now I’m trying to accumulate a newer body of work; most of the work I’ve written in the past has been based on the growth of my young family, but now that my daughters have left home, I am learning what it is to be an older woman. There are challenges that come with this new place that I now inhabit, and I want to express that.

This Thursday, Nov. 12, 2015, VoiceCatcher Kristin Roedell is the featured reader at the Ghost Town Poetry Open Mic held at the Angst Gallery, 1015 Main Street, Vancouver, WA 98660, 7:00 p.m.

Catch These Voices and Visions

Poems About FoodTonight! All are invited to The Poeming Pigeon: Poems About Food book launch! The celebration opens with a poem by Oregon Poet Laureate Emerita Paulann Petersen. The launch also features VoiceCatchers Carolyn Martin, Cathy Cain, Claudia F. Savage, Elizabeth Moscoso, Tammy Robacker, Shawn Aveningo and Tricia Knoll, among others.

The Poeming Pigeon: Poems About Food
Monday, Nov. 2, 2015, 7:00–9:00 p.m.
Ford Food and Drink
2505 SE 11th Street (at Division)
Portland, OR 97202

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Of Course I'm a Feminist!The Milwaukie Poetry Series sponsors a sampling of voices published in Of Course, I’m a Feminist, a collection of voices of 18 Portland sister poets. Scheduled readers include VoiceCatchers Shawn Aveningo, Brittney Corrigan, Tricia Knoll and Sharon Wood Wortman. An open mic extending the feminist theme follows the scheduled readers.

Of Course, I’m a Feminist – Readings and Open Mic
Wednesday, Nov. 4, 2015, 7:00–8:30 p.m.
The Ledding Library Pond House
2215 SE Harrison (adjacent to the Ledding Library)
Milwaukie, OR 97222

Contact Tom Hogan 503-819-8367, tomhogan2@comcast.net to sign up for the open mic.

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Polish your skills as a presenter and public reader through the Toastmasters program. Unique among Toastmasters clubs, the Vancouver Thrill of the Quill club caters to writers. VoiceCatcher Barbara E. Berger invites you to come to a meeting, and consider forming a satellite club with her in Portland (contact her). Thrill of the Quill usually meets the first Saturday of each month (check their website calendar for exceptions). All are welcome to attend; no admission charge.

Thrill of the Quill Toastmasters Club
Saturday, Nov. 14, 2015, 8:30–10:00 a.m.
Courtyard Village
4555 NE 66th Ave., Vancouver, WA 98661
360-606-9306

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Anthology Cover by Sarah FaganVoiceCatcher cordially invites you to attend our 10th Anniversary Celebration & Book Launch. Join us for food, drinks, artwork and literary readings featuring women of VoiceCatcher. If you have not already done so, please click HERE to RSVP for this event. If you plan to bring a guest, please mention so in the “message to the host” space on the RSVP (registration) page.

Tuesday, Dec. 1, 2015
7:00 p.m. (reading starts at 7:30)
Disjecta Contemporary Art Center
8371 N Interstate Ave.
Portland, OR 97217
(503) 286-9449

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Liz PratoPlonk is a new Wednesday night reading series at Corkscrew Wine Bar, 1655 SE Bybee, Portland, Oregon. VoiceCatcher editor Michelle Fredette organizes the series. The events are 7:00 p.m. Free admission and open to the public. Dec. 2 features VoiceCatcher Liz Prato.

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Click here for the updated calendar of readings and other events from VoiceCatcher: a journal of women’s voices & visions.

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Click here for the contact form to let us know of other offerings you or other VoiceCatcher members are making in the community!

VoiceCatcher Reading at Stonehenge Studios, Nov. 8, 2015

All are invited to hear these contributors to VoiceCatcher: a journal of women’s voices & visions. 

stonehenge_studio

Sunday, November 8, 2015
7:00–9:00 p.m.
Stonehenge Studios
3508 SW Corbett Avenue
Portland, OR 97239

 

Cathy Cain is a writer, painter and printmaker whose work appeared in the Winter 2015 issue of VoiceCatcher: a journal of women’s voices & visions. She was a 2014-15 Atheneum Fellow in Poetry at the Attic Institute, as well as a Poet’s Studio member there from 2012-14. She has also benefited from numerous Mountain Writers’ workshops. Her work has appeared in VoiceCatcher and Poeming Pigeons. Cathy is finalizing her book-length poetry collection tentatively titled Alive All At Once and is a poetry co-editor for the Winter 2016 issue of VoiceCatcher. She has enjoyed being part of Portland’s writing community.

Juleen Johnson was published in the Summer 2015 issue of VoiceCatcher: a journal of women’s voices & visions. She is also a poetry co-editor for the Winter 2016 issue of VoiceCatcher. She is co-founder of Soundings: An Evening of Word and Sound. Juleen has been invited to read at BuzzPoems, Ink Noise Review, Open Door Enjambment and Cirque in Portland, Oregon. In California, she has read at the Steinbeck Museum, Hartnell College, Steinbeck Library and CSU Monterey Bay. Juleen attended the Wassaic Residency in Wassaic, New York. Her poems have appeared in print publications, including Cirque: A Literary JournalInk Noise ReviewSymmetryNervous BreakdownThe Rio Grand Review and Buried Letter Press. Juleen currently writes and creates art in Portland.

Darla Mottram’s work appeared in the Summer 2015 issue of VoiceCatcher. She is a soon-to-be graduate of Marylhurst University. Her work has recently been featured in NAILED Magazine, among others, and is forthcoming at The Birds We Piled Loosely. She is a co-founder of the social practice project Put-Pockets (put-pockets.tumblr.com), a blog that documents creative ways of putting poetry into the world.

Jennifer Kemnitz lives and writes in Portland. She is a great defender of plant life and can be roused at any moment to an impassioned discussion of its innate intelligence. Her work has appeared in the KerfVoiceCatcher and We’Moon, and has been anthologized by Poetry on the Lake and The Poetry Box. She is a reader for We’Moon, and is proud to serve as a poetry co-editor for the Winter 2016 issue of VoiceCatcher: a journal of women’s voices & visions. Jennifer’s work appeared in the Winter 2015 issue of VoiceCatcher.

Tricia Knoll is a Portland poet. Her work appears in numerous journals. A chapbook Urban Wild is out from Finishing Line Press. Ocean’s Laughter, poetry about Manzanita, Oregon, will be published by Aldrich Press in December 2015. Her work is forthcoming in the Winter 2016 issue of VoiceCatcher.

 

 

VoiceCatcher thanks Stonehenge Studios for hosting this event.

VoiceCatcher Prints 10-Year Anthology!

She Holds the Face of the WorldPre-Order Your Copy Today and Get a Pre-Release Discount!

From 2005 through 2015, VoiceCatcher has lifted the voices of hundreds of women by publishing their poetry, fiction, nonfiction and artwork in six VoiceCatcher print anthologies and seven online issues of VoiceCatcher: a journal of women’s voices & visions.

With over 80 stories and poems, She Holds the Face of the World is a print collection of some of the most compelling works VoiceCatcher has published in the last decade. We invite everyone – men, women, young and old – to grab their favorite beverage, get comfortable in their favorite reading chair, and peruse these pages that celebrate women from all walks of life: their stories, their heartbreak, their humor, their courage and their strength.


She Holds the Face of the World: Ten Years of VoiceCatcher is available to order at our pre-release discount price of $15 through November 10, 2015. (Regular price is $20) Click here to order.

You can choose to pick up your copy(s) at our year-end celebration and book launch in Portland, Oregon, on December 1, 2015, or have your book(s) shipped directly to you. More information about the year-end celebration will be forthcoming.